{"id":498,"date":"2025-02-27T21:35:27","date_gmt":"2025-02-27T21:35:27","guid":{"rendered":"https:\/\/albertoabate.com\/works-and-pictorial-periods\/"},"modified":"2025-03-21T13:51:56","modified_gmt":"2025-03-21T13:51:56","slug":"works-and-pictorial-periods","status":"publish","type":"page","link":"https:\/\/albertoabate.com\/en\/works-and-pictorial-periods\/","title":{"rendered":"Works and pictorial periods"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; custom_padding=&#8221;||3px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;90%&#8221; max_width=&#8221;1500px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_blurb image=&#8221;https:\/\/albertoabate.com\/wp-content\/uploads\/2025\/03\/Lo-specchio-delle-figure-1988.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; body_text_align=&#8221;center&#8221; body_text_color=&#8221;#d4af37&#8243; body_font_size=&#8221;13px&#8221; link_option_url=&#8221;https:\/\/albertoabate.com\/wp-content\/uploads\/2025\/03\/Lo-specchio-delle-figure-1988.jpg&#8221; link_option_url_new_window=&#8221;on&#8221; border_color_all=&#8221;#FFFFFF&#8221; border_width_all_image=&#8221;2px&#8221; border_color_all_image=&#8221;#FFFFFF&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The mirror of figures 1988<br \/>Oil on canvas, cm 180&#215;130<\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_orientation=&#8221;justified&#8221; custom_margin=&#8221;50px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Alberto Abate, between the late 1970s and early 1980s, was one of the great protagonists of two specific and contiguous designations: anachronism and Pittura Colta. It is these two propositions that define his debut years in the pictorial and figurative spheres, coming to him from earlier conceptual and behavioral trials. Disappeared in 2012, the time now seems to have come for a reinterpretation of his poetics, which, after the aforementioned experiences, was all defined in a context of continuous research in the evolutionary awareness of figural narrative, but always remaining faithful to his own specific stylistic figure.  <\/p>\n<p>Important paintings from the past three decades that have marked the special attention of many art lovers to Abate&#8217;s pictorial quality, some of whom turned out to be genuine fans, are published here.<\/p>\n<p>We move, then, from the mythological insights that connote the beginnings in the 1980s, to the symbolic and sapiential narratives, in which the levels of reading are multiplied, of the 1990s; up to the evidence of the first decade of the new century that enhances the dialogue of figures with geometric forms of consolidated cubo-futurist and neo-constructivist structure.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\u00a9 2025 &#8211; www.albertoabate.com |All Right Reserved | <a href=\"https:\/\/albertoabate.com\/en\/privacy-policy\/\">Privacy Policy<\/a> | <a href=\"https:\/\/albertoabate.com\/cookie-policy\/\">Cookie Policy<\/a> | Web Design by <a href=\"https:\/\/admwebagency.it\/\" target=\"_blank\" rel=\"noopener\">ADM<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The mirror of figures 1988Oil on canvas, cm 180x130Alberto Abate, between the late 1970s and early 1980s, was one of the great protagonists of two specific and contiguous designations: anachronism and Pittura Colta. It is these two propositions that define his debut years in the pictorial and figurative spheres, coming to him from earlier conceptual [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-498","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Works and pictorial periods -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/albertoabate.com\/opere-e-periodi-pittorici\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Works and pictorial periods -\" \/>\n<meta property=\"og:description\" content=\"The mirror of figures 1988Oil on canvas, cm 180x130Alberto Abate, between the late 1970s and early 1980s, was one of the great protagonists of two specific and contiguous designations: anachronism and Pittura Colta. 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